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If the terms of use are ambiguous, it invites dispute, complete with litigation and attorneys’ fees, misery, and ultimately ending with you taking driving lessons from Thelma & Louise. A few were unclear, stating you could use the beat for “one commercial use,” but failing to define what they considered a “commercial use.” They gave some examples that made it even more unclear as to whether both a physical and digital release were considered one “commercial use,” or multiple uses (thereby violating the agreement). Pay close attention to the language in these clauses. Some sites allow you to use their “free beats” for commercial gain, but limit the number of tangible copies (e.g, CDs) that you can reproduce and sell.

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This is basically the web equivalent of offering “Free Drink” coupons at an AA meeting the “free” part is not all it’s cracked up to be. If you find language to that affect, you know that the “free beats” can only be used on your next commercial release if you are willing to pay for them (at which point, they are really just “beats”).

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Some terms were clear that you could not use any of the “free beats” for profit or commercial use, but you could purchase an exclusive or non-exclusive license in order to commercially exploit the beat. In no particular order, and without identifying the companies I discovered in my search, here is what I found:Įvery agreement I reviewed offered a “limited license” arrangement, where you could use the “free beats”, but only under a limited set of circumstances. Since the licenses offered vary greatly among different sites, I searched some of the top websites offering “free” beats, and broke down five of the most common terms appearing in their online agreements, so you guys would know what to watch out for in deciding whether the license arrangement being offered works for you. This can really catch you off guard, kind of like hiring a back-up singer only to find out half-way through the show that she has Tourette’s. And wham! A (potentially) legally binding contract that you may not have read or understood has been created. The terms will most likely be tied to an action on your part, such as the act of downloading the beats, or the act of clicking on a box stating that you have read and agreed to the terms of use. Copyright law is what it is, and if you dig a little deeper, I’m sure you’ll find that most, if not all, of these “free” beats websites include certain “terms of use” – however simplified in form – that define the scope of a license, and identify under what circumstances you may use those “free beats” in your music. Now, some of you may be scratching your heads right now, thinking “I never signed a license, and the website says ‘FREE BEATS.’ What is she talking about?” Well, U.S. And before closing my laptop and sending in what could be my shortest and most useless blog article yet, I will expand my answer in an effort to be a bit more helpful: it depends on the nature of the license being issued to you. The quick answer to the question, “Can I use these ‘free beats’ in my next commercial release?” will sound like the ever-familiar cop-out: it depends. Even if you do not use free “beats,” this discussion applies to anyone that wants to use free fonts, free stock footage, free stock images, or other free “fill-in-the-blank” stuff that you find on the Internet and hope to be able to use in your music, album covers, music videos, etc. Can I, and are there any red flags I need to watch out for?Ī: Great question. I write poetry and want to use these free beats as background for our next commercial release.

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Tip: pitch bends help, and subs fill out the higher synth usuallyĬreate an account or Login to write a comment.Q: My band found a website that allows artists to download free beats for use in their music.

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Add variation/progressions in drums (hihats) or add notes in the bass patch and lead. Create a pattern like this where the bass and lead interchange between each other. Growl bass on kick and high lead on snare. In this example I used a growling type bass and a lead only, so its pretty basic.Ģ. Then the maker creates a 4 to 8 bar loop of this and repeats it with progressions and variation. The growl bass hits on the kick and the high lead dances on and past the snare. In a dubstep drop, you usually have a call and response type thing with these two synths.

In case most of you haven't noticed, dubstep/brostep drops usually consist of 2 or more synths: a low growling bass and a high lead flux pavilion synth.

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Here is an example of how to create an okay drop with just 2 basses and drums. I've observed that a lot of Audiotool still seems to not understand too much about the structure of a dubstep drop.

Free dubstep maker online